On Saying Less

·4 min read

The first draft of almost anything is too long. Not because the writer has too many ideas — that would be a good problem — but because the writer has not yet figured out what they are trying to say. Extra words are scaffolding: useful while you are building, but something to remove before you let anyone inside.

This is one of those principles that is easy to state and very hard to live by. We are trained to equate length with effort, volume with seriousness. A short email feels dismissive. A brief report looks underdeveloped. We pad and hedge and qualify because it feels safer than leaving a sentence to stand alone.

The courage of the short sentence

A short sentence makes a claim. It commits. It says: here is the thing, without cushioning. That is an uncomfortable position to occupy, because a short, clear sentence is easy to disagree with. A long, qualified sentence is harder to pin down.

If I had more time, I would have written a shorter letter.

This line is attributed to many people — Pascal, Churchill, Lincoln — which tells you something: the idea is old, recognized, and widely ignored. Brevity is hard work. It takes longer to write short than to write long.

Silence as part of the work

In music, rests are not the absence of music. They are part of the composition. A good rest creates tension, allows the previous note to decay, prepares the ear for what comes next. Writing has its equivalent: the paragraph break, the section space, the chapter end. White space is not empty. It is where the reader does their own work.

When you remove a sentence that does not earn its place, you are not leaving a gap. You are making room for the reader to arrive at something themselves. That is often more powerful than saying it directly.

Editing as care

Cutting your own writing can feel like loss. You worked hard on those sentences. But editing is not destruction — it is curation. It is saying, of all the things I could show you, here are the ones that matter most.

The goal is not a word count. The goal is a piece of writing that does what it is supposed to do as efficiently as possible, then stops.

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